Your Advert Here - reach over 25,000 theatre design people a month! | Learn More

How to write a Press Release

Photographer

Photographer

Thanks to the internet more and more designers and theatre artists are communicating about their work. And writing a press release is something that a lot of us may have to do. However get it wrong and journalists will just ignore it. Fortunately writing a good press release isn’t too hard and relies on both writing good “copy” (text) and following a number of conventions.

What is a Press Release?

A press release is a document that is sent by companies, governments, organisations or individuals that announces newsworthy details about events, incidents or products.

What should a theatrical press release be used for?

Generally : Announcing a new production, a new theatre building, casting information (Only use for notable figures), new appointments (Only use for notable figures), exhibitions and other events and other newsworthy items.

What a theatrical press release should not be used for?

General publicity, hype and sales pitches.

Our experiences

At the Sceno:graphy site we get plenty of press releases – and some I’m sorry to say we just ignore, not out of malice, but simply because they are not supplied to us in a format that is usable. Last summer we received a number of press releases informing us of Theatre Design Degree Exhibitions, Shows and Productions. One of which we disregarded. Why? The release was sent to us an a jpeg image, with all the informative “copy” dates, locations and details as part of that image. So simply because we couldn’t copy and paste the text we didn’t publish full details of the exhibition. Harsh, maybe – but our time is both limited and valuable. If you want journalists to publish your story you should supply it to them in the most easy to use and accessible format possible.

Good press releases are written in such a way that a journalist may even copy and paste the entire text without a single bit of editing, while others may use the press release as a springboard to a more detailed article.

So what you need to do is learn how to provide them with “copy” that is instantly usable. You also need to learn “when” to write a press release.

You have to figure out whether your news is going to be of genuine interest to others. So for example thinking in terms of the theatre and arts press the building of a new theatre is newsworthy, news of an exhibition is too, show openings are also newsworthy to some sites (Please note we don’t publish show openings!). Ultimately you have to detach yourself from your publicity machine and decide what the public are going to find interesting. Press releases should not be used to “hype” otherwise editors and journalists will ignore it and you’ll lose credibility.

Who, What, Where, When and Why?

These are the key constructs of a press release, if what you want to communicate doesn’t answer the above you may not have anything worth telling the press about

Format

There is no set format for a press release though a number of conventions have emerged:

Here’s what it should generally look like:

For immediate release.

Contact: Martin Paling

Telephone: 123456789

Email: myemailaddress

My Press Release Title in Bold Text and *Lowercase*

A summary of what the release is about, also in bold.

Now the body of the press release. Be concise and factual. Try and step into the journalist’s shoes – write as if you were writing a news piece about your event/news, that way the publication could just copy and paste! (seems like its cheating but if you write in a neutral enough tone that’s what will happen!) Try to remain independent from your publicity and avoid hype and spiel, and don’t over use exclamation marks!!!!.

If your news warrants it feel free to expand into one or more paragraphs. Keep your word count low… 250 is good, don’t go beyond two pages. Don’t use hyperbole and nonsensical or technical language… try to keep things feeling informal and genial.

Try and find a “Hook”. You could look at how your news affects the wider world, current affairs, politics, the arts or maybe you could concentrate on a single individual in your organisation or news, the press often like to hear about a person as opposed to a larger organisation.

–Ends–

Editors Notes: This section (if needed) usually supplies the editor with some background information, no matter how famous you are they may not know you – so it helps to provide some back story – generally this won’t get printed.

Also use this section to re-enforce any restrictions or other legal information

Technicalities & Conventions

There are a number of conventions associated with press release forms… I’ve covered some above but their are a few more you might want to take note of:

Release:

Immediate Release

If the press release is for immediate release make sure you say so!

Not for release until: 30/12/2010

If it’s a timed release put a date in their… remember different countries write numerical dates differently!

An ending:

In the UK it’s common to see

–Ends–

(Or similar) at the bottom of a press release to signify the end. In the US you will usually see:

###

Don’ts!

  • Send images separately – don’t embed them into your press release!
  • Don’t send you press release as a .pdf or any image file. Make it a plain text document or a word document.
  • DON’T WRITE IN UPPERCASE, ITS REALLY ANNOYING AND MOST PUBLICATIONS WILL HAVE TO EDIT it back to something less “shouty” and easy on the eye!

Key Points

  • Stay focused
  • Keep it concise
  • Find a “Hook”
  • Put yourself into the editors/journalist’s shoes
  • Make it easy for them!

Writing a press release is your “way in” following some of the points above might just improve your chances of getting your news published. Maintaining good relations with the press is essential and just that little bit of extra work on your behalf can really pay off, happy publicising!!

Personal Branding: Step One: Authenticity

There is a great deal of noise out there about the Art of the Brand. First, let’s start with the basics.  My first bit of advice is find a quiet place and really think about what you want to communicate to the larger world. That’s step one, so go ahead, get a notebook and get started.

7 Steps to Achieving a Personal Branding Strategy:

Part I:  Your Brand Essence

1) Get in “sync” with your authentic self [Read more...]

Personal Branding: Do you have one?

It really is, all about you: Advice from the Media Trenches

I am reporting here from the  media capital of the world, Los Angeles: the home of of the Brand, land of the Brave and last hold-out in America for theater artists. Those of us who have survived, in the last decade or so here in Los Angeles, were eventually forced to join the dark side, and go into television or film production to stay alive. I count myself as one of them, but, through the world of academic theater, was able to “work both sides of the aisle”  but it became obvious that I was going to have to develop a defined presence as a costume designer (in theater) and a  “Costumier”, or “Costumer” (in film) which are worlds apart in how people perceive you.

I had to develop a brand name, or a “Branding Platform” that would enable me to communicate about my work, my projects, and my point of view.  I know, many of you will say that “the play is the thing” but I beg to differ, the Brand is the thing, and, it will really help you even if you work it on a small, and intimate scale, and, then, grow this brand as you grow as an artist and designer.  How did I figure this out? I was very lucky, because one of my top styling clients was the Queen of Personal branding. She invented the branding for CNN news, and many more major media outlets here in the US, and worldwide.  My job, was to develop her “brand package” that is to say, my skills as a designer, and background in theater, and television media, made me a “Brand Package” expert.  Who knew?

Now, to the topic at hand: The Personal Brand.  Do we as theater artists, really need one? What is it, and, how can it work to improve your life as a theater artist? How do you begin to plant your flag in the sand, and take control of your brand?

Let’s define it:  Its the total platform of how you communicate to the world about your projects, your work, your point of view. You, become the “Chief Creative Officer” of your work and the “Chief Brand Strategist”.   The branding platform that will become the portal to your life as a theater artist is more important, than ever before.  But, do you have a strategy for really taking it to the next level or expanding on it? That is what makes a personal brand strategy a successful way to build your life as an artist, in a less random, haphazard way, in a decidedly digital and mass market world. But, what about the play? This unique experience is, what we are attempting to preserve, as theater artists.  We want to get the message out with our collective languages and cultures that are expressed in the art and craft of a live performance. If we don’t take on the multi-media, mass market or digital environment in a powerful way, our collective and individual messages, will get lost. That would be, tragic, indeed.

For the 7 steps on how to create your own Personal Brand Strategy and more details of this discussion, please head over to my blog at:

www.stylestrategy.wordpress.com

I welcome your questions and comments and discussion of this topic.

UK National Exhibition 2011 – SBTD

Hi – it’s Sophie Jump from the SBTD again.

I just wanted to let you know a bit more about our open exhibition which is happening in Cardiff in January 2011. The title is Transformation & Revelation: UK design for performance 2007-2011. The SBTD organises a national exhibition every four years, and the UK exhibit for PQ11 will be chosen from the exhibitors in Cardiff. We have also been asked to show the PQ exhibit at the V&A in 2012, and from there it will tour major galleries around the UK.

Exhibitors work and biography will also be included in the catalogue which accompanies the exhibition, and which is one of the few books to record, examine and celebrate contemporary performance design in the UK. The books continue to be sold long after the exhibition and are used as reference by the industry and schools and colleges alike, both in this country and abroad. [Read more...]

The Society of British Theatre Designers

Hello! My name is Sophie Jump and I am a Joint Honorary Secretary of the Society of British Theatre Designers. The SBTD exists to support designers in their working lives. Being a theatre designer can be quite an isolated job and you hardly ever meet any other designers, so it is hard to know if your experiences are ‘normal’, or who to ask for advice. We provide links with other designers, through events, exhibitions and through our quarterly journal The Blue Pages. We also have links with international companies and designers through being an OISTAT centre, (International Organization of Scenographers, Theatre Architects and Technicians). OISTAT hold regular meetings around the world.

Members have access to our Guides and Directories. The Guides are to do with things we all need to know about – Tax, Contracts, Agents, Finding work etc. The Directories list useful suppliers – costume hire, props and furniture, armourers, model suppliers etc. [Read more...]

Jean-Guy Lecat Gallery

"Simplicity in theatre is very sophisticated" - Performance

"Simplicity in theatre is very sophisticated" - Performance

We’ve been adding more photos to our Prague Quadrennial Gallery. This time it’s a set of photos from renowned scenographers Jean-Guy Lecat’s workshop “Simplicity in theatre is very sophisticated”

If you have not read it before I really should recommend Will McNeice’s article Complicating Simplicity – A Workshop with Jean-Guy Lecat.

Check out the new gallery here!

Help Scenography

The smallest donation could make the biggest difference. Please consider giving just £1/$1/€1 and help keep this site alive!

Click here to lend your support to: Scenography - The Theatre Design Website 2010 and make a donation at www.pledgie.com !

A Dollar, a Euro or a Pound a Year

Loaf of BreadA dollar, euro or a pound a year. It doesn’t sound much does it? Yet that is all half our members would have to have given to keep the portfolios alive for exactly one year! And what does a Dollar or a Euro buy you these days? Well it won’t buy you an average priced iPhone app ($2.99 apparently) It certainly won’t buy you a drink in a London pub, heck it won’t even buy you a loaf of bread!

We we’re heartbroken when we had to remove the portfolios, but at the time the choice was stark – remove them or close the site entirely! Despite pleas for help we’d just not raised enough. Ironically now they have gone we’ve received £160 in donations! And we’re very thankful for every penny!

So what are we doing now to bring them back?

Martin and Nikos have talked about ways of finding more reliable funding than member and public donations. One possibility is to enforce a yearly payment of $1/£1/€1. But we’re also looking at finding some kind of arts based funding and the search for sponsors (which never ends) will continue.

But we’re also looking at introducing a portfolio system that is easier to manage and uses less resources. Low volunteer levels means we need something less intensive to manage.

What can you do?

Help us! You can Donate today. We really need all the help we can get to keep the site alive… and it really doesn’t matter how small your donation is a $1/£1/€1 (or more) could make the biggest difference!

Click here to lend your support to: Scenography - The Theatre Design Website 2010 and make a donation at www.pledgie.com !

If you can’t donate perhaps you could offer to spread the word? Post about us on facebook or twitter, maybe you have material that might be suitable for an article. Or maybe you’d like to join in with the editorial team… we’re desperate for coverage of South American, Australian, Asian Eastern european and African theatre design news.

Scenography Redesign

Scenography Screenshot

Scenography Screenshot

We’ve made a few changes to the Scenography Website design… not too much of a change admittedly, but we hope you like it all the same.

If you spot anything out of place drop us a line!

Prague Quadrennial Gallery Returns!

Photo of Prague's Industrial Palace

Industrial Palace - Photo by Richard Finklestein

Prague Quadrennial Galleries return! Older readers may recall our popular PQ Galleries. We took them offline last year during some maintenance and they never quite made it back online! (Apologies) However we have now brought them back and we’ll be adding to them over time.

Currently we galleries include PQ National Exhibit photos, Peter Schumann workshop, Nori Sawa’s puppet photos and some images of the fantastic Prague Quadrennial Cafe. I’ll let you know when we bring some more online!

Visit the galleries today!