Stage Craft with Tom Wright

In traditional pantomime the baddie always comes on stage left and the good fairy stage right. Why? This was the question that started director Tom Wright on a five year journey, aided by five weeks of workshops with directors on the Young Vic main stage: a study of composition in film, photography and painting and a bit of Laban for good measure exploring the significance of stage blocking and the processes you can use to arrive there. What is the significance of movement on stage? Where should you put the door? How can directors, actors and designers work together to create the most meaningful images and movement on stage? Rather than a set of rules, Tom has developed an approach which will enable you to make your own decisions and train your eye to be more sensitive to the meaning of space.

When: 15th and 16th of May | Where: London | Times: 10.30am – 5.00pm | Cost: £50 | Who For: Directors, Actors and Designers

Please send a deposit cheque (£15) made out to ‘Living Pictures Productions’ to:
Ben Webb
Living Pictures Project Manager
B11 Peabody Estate, Lillie Road , London SW6 1UJ

(You may also pay by bank transfer – please email Ben for details)
Please also enclose a copy of your CV with your deposit.
For more information or enquiries you can email Ben on: living.pictures@yahoo.co.uk

Tom Wright is an award-winning UK-based theatre and opera director who has produced work ranging from the Fringe First-award-winning The Container to operas in Selfridges. He is artistic director of Vivid Dreams Productions and co-artistic director of Meeting Ground Theatre Company.
He also runs workshops for all ages and abilities and provides one on one audition coaching.

http://www.tomwrightdirector.com/

Prague Quadrennial 2011 Jury & Awards

The Prague Quadrennial team have released details of the 2011 Prague Quadrennial Jury. It’s the Jury’s duty to judge entries into the PQ.

There are a number of awards to be won at the Prague Quadrennial, the most prestigious of which is the Golden Triga.

  • Golden Triga for the Best Exposition (according to the Concept of the PQ 2011);
  • Gold Medal for the Best Stage Design;
  • Gold Medal for the Best Theatre Costume;
  • Gold Medal for the Best Realization of a Production;
  • Gold Medal for the Best Work in Theatre Architecture and Performance Space;
  • Gold Medal for the Best Use of Theatre Technology;
  • Gold Medal for the Best Exposition in the Student Section;
  • Gold Medal for the Most Promising Talent in the Student Section;
  • Gold Medal for the Best Curatorial Concept of an Exposition.

Erich Wonder, Austria
Scenographer
As a scenographer Erich has collaborated with Luc Bondy, Claus Peymann, Heiner Müller, Heiner Goebbels, and Johannes Schaaf, among others. in many European scenes and festivals. Erich also creates exhibitions and performances, in collaboration with other artists, for example Karl-Ernst Herrman or Einstürzdende Neubauten. His project with Heiner Goebbels, Maelstromsüdpol, was presented at the documenta 8 in Kassel. Erich teaches scenography at the Akademie der bildenden Künste in Vienna.

Monika Pormale, Latvia
Scenographer and Costume Designer
Monika Pormale works in a variety of disciplines including, scenography, installations, performance, photography, and video. She collaborates as a scenographer and costume designer with the Latvian director Alvis Hermanis, for whom she has created many European projects in Zurich, Berlin, and Vienna, among. Her visual art works and installations have been presented in a range of European galleries, and she was the first designer to be commissioned by spielzeit’europa | Berliner Festspiele to create a project for the Haus der Berliner Festspiele where she made a giant photo installation.

Viliam Dočolomanský, Slovakia, Czech Republic
Director and Head of the International Theatre Studio “Farm in the Cave”
Performances of „Farm in the Cave“ are presented in prestigious festivals all over the world and have received many awards, for instance the Total Theatre Award, the Fringe First Award, and the Herald Angel Award at the Fringe Festival in Edinburgh. Viliam Dočolomanský has led workshops in the Czech Republic and abroad and is the music composer for several of his performances. Viliam has published in professional periodicals and works for The Institute of Research in Drama and Scene Creation at the Theatre Academy /DAMU in Prague. He has also received prizes in the Czech Republic including, the Main Award of The Alfred Radok´s Prize, the Prize of the Theatre News and Sazka for the movement-based theatre for the performance SCLAVI / The Song of an Emigrant, and The Personality of the Year at the Next Wave festival.

Felice Ross, Israel
Lighting Designer
Felice was born in the United States and lives now in Israel. As a Lighting Designer she has worked for theatre, opera, and dance organizations, including the Batsheva Dance Company, the Israel Opera, the Cameri Theatre, and the Habima National Theatre. Felice has been a longtime collaborator of the directors Krzysztof Warlikowski and Mariusz Treliński. She also has worked on projects in Poland, Germany, Paris, Berlin, Amsterdam, and other European countries. She has been a Lighting Designer for classical performances as well as for contemporary works.

Arata Isozaki, Japan
Architect, Scenographer, Curator, Theorist, Designer
Arata Isozaki´s projects have been built all over the world. Among the most famous you can find are the Concert Hall in Kyoto, the Museum of Contemporary Art in Los Angeles, the Sport Hall for the Olympic Games in Barcelona, the Domus Casa Del Hombre 1995 in La Coruña, the Shenzen Cultural Center in China, the Shanghai Symphony Hall, the Great Scenic Space in Grenada, and the Universities of Central Asia´s in Kazachstan, Kyrgystan and Tadjikistan. He is also a renowned scenographer – mainly for opera, installations of particular exhibitions (for example in Centre Pompidou), and he exhibits his own work throughout the world, including in the MOMA in New York or at the Venice Biennale. As a curator Arata has prepared many exhibitions, especially in the field of architecture, and he was Commissioner for the Japanese participation at the Venice architectural Biennale. He is author of professional architectural publications. As a designer Arata has created for Louis Vuitton as well as his own jewelry designs.

Carmen Romero, Chile
Director of the Festival de Teatro Santiago a Mil
Carmen Romero is an important personality on the Latin American cultural scene. She was the Executive Director of the company Productora de Eventos Romero & Campbell association, which organized many large artistic and cultural events in Chile. Since 1994, she has led Chile´s most important festival, the International Theatre Festival of Santiago a Mil, which presents Latin American theatres as well as contemporary European productions. Carmen has won several awards for her work in spreading and administering culture in Chile, and she was the winner of the French Chevalier de l’Ordre des Arts et Lettres for her work on the dissemination of avant-garde French drama.

Marvin Carlson, USA
Theorist of Theater and Performances
Distinguished Professor of Theatre, Comparative Literature, and Middle Eastern Studies, his Marvin’s research and teaching interests include dramatic theory and Western European theatre history and dramatic literature. His best-known book, Theories of the Theatre (Cornell University Press, 1993), has been translated into seven languages. Carlson also published Places of Performance: the semiotics of theatre architecture; Performance: a critical introduction; and Theories of Theatre: a historical and critical survey. He is a Professor at the New York University. Marvin has received prestigious awards for his works and his Ph.D. in from universities in the USA and Europe (for example the George Jean Nathan Prize, the Bernard Hewitt Prize, and a Guggenheim Fellowship).

Brett Bailey, South Africa
Director, Dramatist, Scenographer, Costume Designer
Gold medal at the PQ 2007
Brett Bailey is the Artistic Director of the theatre company Third World Bunfight and the Curator of Infecting the City: the Spier Performing Art Festival. He has worked on many important projects including Ipi Zombi?, Big Dada, Orfeus, medEia, and Macbeth, where he has worked on the theme of classical European drama within the African context. Several European Festivals have shown his work, such as the Wiener Festwochen of the Holland Festival.

Kevin Purcell, Australia
Composer, Sound Designer, Conductor 
Kevin Purcell returned to Australia in 2001 having spent the previous eight years working throughout the UK, Europe, and the USA as a musical director and conductor. He collaborated with Sir Charles Mackerras and Andrew Lloyd Weber. Kevin has received many prestigious awards (such as the Sir Charles Mackerras Award), conducted works as the Music Director with the London Philharmonic, the Orchestra of the Age of Enlightenment, the Welsh National Opera, the Covent Garden, the San Diego Opera, as well as many musicals in London‘s West End. As a composer he creates orchestral music as well as musicals and operas. Kevin teaches at the University of Tasmania.

Prague Quadrennial: Scenography Expanding

Prague QuadrennialNew locations for the event, announcement of the international jury selections, and an introduction of the series of symposia, Scenography Expanding, are the latest updates from the next edition of the Prague Quadrennial of Performance Design and Space (PQ), the largest event of its kind in the world, which will take place in Prague, Czech Republic, in June 16 – 26, 2011.

The Quadrennial is adding new spaces for its exhibitions and projects and will take place throughout the whole center of Prague as well as in some non-traditional spaces. For example, the site-specific installation of the Architecture Section will take place in the beautiful Prague Crossroads-Saint Anne´s Church, run by Vaclav Havel’s Foundation VIZE. The PQ´s main competitive sections, as well as the special exhibition Extreme Costume, will take place for the first time in the functionalistic building of the Czech National Gallery – Veletrzni Palace, thus offering a new context for the Prague Quadrennial by presenting scenography as a discipline between visual and performing arts. Other sections and projects will have their premieres in galleries and public spaces in the center of Prague, The interactive installation/performances, the Intersection: Intimacy and Spectacle project, an undisciplined project of the PQ 2011 will take place at the Piazzeta of the National Theatre Prague. The Scenofest, an educational project for students and young artists, will occupy the entire Theatre Faculty of the Academy of Performing Art Prague and its surroundings. The New Scene of the National Theatre will host the Light and Sound project. More information is available on www.pq.cz

PQ 2011 will present contemporary trends in a variety of scenography disciplines from more than 60 countries including traditional participants such as the USA, Mexico, and Germany, as well as countries that will participate for the first time, like Armenia, Kazakhstan, Columbia, and Mongolia.

Nine prominent artistic personalities from all over the world and from different performance disciplines have accepted the invitation to be part of the international jury that will present awards in various performance design fields such as scenography, costume design, theatre architecture, curatorial concept, and many others. As is tradition, the best exhibition will be awarded the prestigious Golden Triga. The jury includes, among others, director and scenographer Brett Bailey from South Africa (Golden medalist PQ 2007), Japanese architect and designer Arata Isozaki, Austrian scenographer Erich Wonder, and American theoretician Marvin Carlson.

The 2010 symposia, Expanding Scenography, have begun as the first, theoretical part of the undisciplined project – Intersection: Intimacy & Spectacle, which was organized by the PQ in cooperation with other European cultural institutions from Latvia, Great Britain, Serbia, Hungary, Italy, Finland, Switzerland, and Portugal. International artists, theoreticians, researchers, and educators will be researching contemporary forms and uses of performance from the points of view of audience, artists, and curators. The Scenography Expanding: On Spectatorship symposium was held in February in Riga, where, for example, director and theorist Alan Read and director Arpad Shilling, among others, talked about contemporary performance in relationship to space and audience. Intersection will continue with a symposium in Belgrade – Scenography Expanding: On Artists/Authors and then will be concluded in Évora with Scenography Expanding: On Curatorship. More information is available at http://www.intersection.cz

International Contemporary Scenography Days

This edition of the IFSArts “Scenography Days” spans four days of talks and presentations by internationally renowned professionals, centering on  topics that embrace lighting systems and dynamic large-scale projection; temporary and permanent installations in a contemporary setting; lighting and its modification of an urban context; evolution of the scenic space: built architecture of contemporary theatre and scenic arts;  architecture and film design: a look at European production designers and architects; digital applications for set design, theatre acoustics and sound design, and  European health and safety regulations for stage management and design.
In addition, a number of workshops will be offered on installations and scenic construction, mechanical engineering, software programs,  lighting systems and sound design, conducted by leading companies servicing the entertainment sphere.

The Speakers

Architecture and engineering

: Architect Brigitte Métra, an associate of Jean Nouvel, having collaborated with him on projects for over two decades, and founder of Métra+Associés studio, is noted for the retrofitting of theatres, the converting of single rooms into multipurpose spaces and scenic installations. The architect, designer and scenographer, Roger Labeyrie, founder of “Labeyrie & Associés”, a consultancy practice specialising in multimedia, audiovisuals and architectural design. He has collaborated with the studios of Renzo Piano, Valode & Pistre, David Chipperfield, JM Wilmotte, and IM Pei. Giancarlo Marzorati, who has worked on projects for shopping malls and residential complexes, and is particularly active in the auditoria and multiplex cinema sector throughout Europe. The architect and video designer Luca Ruzza of Open Lab Company, a centre for experimentation, set production and virtual spaces, his works have been presented around the globe. The London-based Theatre Projects Consultants, a company specialising in theatre architecture, with over 1200 theatre projects constructed in various parts of the world. Mechanical engineering firms and leading firms in the stage machinery sector, such as Robert Heimbach, architect/engineer, vice president of Gala Systems and his Italian collaborator, mechanical engineer Ivano Cevasco.
 
We will be looking at  software applications for the planning of theatre productions through the working experience of engineer Giuseppe Dittadi, scenographers Daniele Paolin, Christian Silva, Lauro Crisman, Fabio Barettin (lighting designer) and Silvio Relandini (sound designer).  Among the production managers and stage-managers taking to the podium: Massimo Checchetto (Theatre La Fenice, Venice), Michele Della Cioppa (Theatre Opera, Rome), Lucia Goj (Théâtre du Châtelet, Paris), Massimo Teoldi (Theatre Real in Madrid) and Izuna Tanaka (production manager at New National Theatre of Tokyo).  
The workshops will be held by a team of experts, among whom Armin Ferrari (videomaker) and Porziana Catalano (scenographer), realizing and assembling a number of elements such as virtual set models and audio visuals, and will run a demo video before hosting a Q&A with the audience.
The directors, the scenographers, the lighting and the sound designers

Henning Brockhaus, director and scenographer, has worked with Josef Svoboda and Giorgio Strehler. Ralph Koltai, scenographer, sculptor and innovator of British theatre design, has staged over 250 opera, drama, dance and musical  productions worldwide. He is a Fellow of the Royal Academy of Performing Arts and The Royal Society of Art RDI (Royal Designer of Industry) and an associate designer of the Royal Shakespeare Company. Pamela Howard, a scenographer, director, and professor Emeritus at the University of Arts London. In 2008, she was awarded the OBE for services to drama. As a scenographer she has realized over 200 productions in the U.K., Europe and the United States. Jean-Guy Lecat, for 24 years the technical director and stage designer of Peter Brook, has also worked on the retrofitting of over 200 theatres worldwide. Peter Farley, Theatre Designer/Scenographer and a Senior Lecturer at Wimbledon College of Art and Kate Burnett MA is a theatre designer and Reader in Theatre Design at Nottingham Trent University.

Laser Technology

As this year laser technology celebrates its 50th anniversary, we are proud to announce talks by architect Marcello Zagaria, founder of  Scenes, a leading company in lighting and laser technology installations, with Gianpietro Grossi, engineer and inventor of a new generation of laser harps, following a successful art installation at Frankfurt with Francesco Murano and Pietro Pirelli, and Giancarlo Cauteruccio, a theatre director noted for his poetics based on the relationship between art and technology: in the 1980s, his multimedia group Krypton staged innovative shows created with the use of monitors, lasers and neon within virtual spaces.
The lighting and sound designers

We are proud to announce two great lighting designers: A. J. Weissbard and Maurice Brill. 
3D audio for the entertainment sphere: new metaphors and new productive models is the topic by DEI, (Dipartimento di Elettronica ed Informazione of the Polytechnic of Milan), presented by Prof. Augusto Sarti and Dr. Massimiliano Zanoni. Among the special guest speakers we are delighted to welcome from New York the celebrated sound designer Charlie Morrow, who will present his most recent sound project for the  Arctic Studies Center, Anchorage, Alaska, realized in collaboration with architect David Chipperfield, as well as sound designer Hubert Westkemper and architect and musician Franco Fiotti.
The production designers
The relationship between cinema, set design and architecture will this year be a theme introduced by Spanish architect and film critic Jorge Gorostiza, will present production designer Josep Rosell, who has worked with  director Vicente Aranda and more recently created the sets for the highly regarded  El orfanato (The Orphanage) directed by Juan Antonio Bayona. With them, French production designer Hugues Tissandier, Italian  production designers: Dante Ferretti, Francesca Lo Schiavo (set decor), Giancarlo Basili, and British production designer Stephen Scott.

Venue

The event will take place at the Casa dell’Architettura (Architecture House), a former aquarium and now the Headquarters of the Order of Architects of Rome. The IFSArts team has chosen to organise such a key event in the historical building now occupied by Roman architects. The former Aquarium is a fine example of public architecture, inaugurated in 1887 and situated in the heart of Rome’s historic centre, a short stroll from Termini mainline station.  Formerly used as a cinema and as a storage facility for Rome’s Opera House,  it was recently restored by the City Council and entrusted to the Order of Architects to use as their base. The restoration work unearthed in its grounds archeological finds from ancient Rome dating from the 4th century B.C.

CASA DELL’ARCHITETTURA (Architecture House) 
Piazza Manfredo Fanti, 47 – ROME  – 18 – 21 April 2010

Beintheworkfest (International Theatre Workshop Festival in Berlin)

beintheworkfest

beintheworkfest

Beintheworkfest is an international theatre workshop festival held in Berlin. This year the festival offers workshops by Marcello Magni (Complicite), Mike Shepherd (Kneehigh), Frans Winther (Odin Teatret) & Jola Cynkutis & Khalid Tyabj (Grotowski training).

“This second edition of Beintheworkfest features unique and small group workshops with internationally renowned theatre professionals, right in the heart of Berlin. Come and learn from the best in the most creative city in Europe.”

“Come and learn from the best in the most creative city in Europe. Please book early to avoid disappointment. There are only 12 places available in each workshop. Bookings: Contact: Rachel Karafistan & Kuba Pierzchalski Email: workshops@cosmino.org.”

Visit: http://www.cosmino.org/beintheworkfest/ for more details

Tribute to Luciano Damiani

Luciano Damiani

Luciano Damiani

Three years have passed since the demise of Luciano Damiani, renowned scenographer, costume designer, architect, writer and director. Prior to creating his own theatre, Damiani collaborated for a number of years with Giorgio Strehler and Luca Ronconi. The IFSArts, during the “Contemporary Scenography Professional Days”, pays homage to the great maestro with personal tributes by a number of professionals who knew him and worked closely with him: Carla Ceravolo scenographer, artistic director of the Teatro di Documenti; Sibylle Ulsamer costume designer; Anna Ceravolo author, Amalia Milana theatre operator, and scenographer Daniele Paolin.

As part of the celebration we have arranged a free guided tour of the Teatro di Documenti, the wonderfully atmospheric multi-level theatre designed and built by Damiani himself, excavated from a seventeenth-century “grotta” (cave). The tour will include an exhibition entitled “Astrazioni Geometriche” (Geometric Abstractions) plus a selection of film clips featuring his work and a permanent display of scenic props, footwear and apparel, posters, sketches and working designs. Visitors can also admire the “Banco Ottico”, an optical device created to project designs in their real dimensions.

INFORMATION
The conferences will be held in either English, French, Spanish or Italian with simultaneous or consecutive translation.
The Casa dell’Architettura is located a short stroll from Rome’s Termini mainline station with direct link to Fiumicino airport.

General organisation: International Festival of Scenic Arts (IFSArts)
in collaboration with The Scenographer (International Journal of Set & Stage Design)

Registration Open: Scenography Expanding 2 Symposium

Scenography SymposiumThe registration for the symposium Scenography Expanding 2: On Artists/Authors is open

July 9 – 11, 2010, Belgrade, Serbia

Speaker presentations, panel discussions, and workshop sessions investigate the question of the identity of the artist/author in the conceptualization, construction and participation in hybrid scenographic and performance design spaces.

Who are the artists and teams responsible for creating contemporary scenographies in theatre, performance, architecture, exhibition, installation, and media? Is and/or how is the trans-disciplinary nature of scenographic teams reflected in the theoretical discourse on scenography? When does audience become a co-creator? When does a curator become a co-creator?

Deadline for registration and submission of abstracts: 15.3.2010

For more information visit : http://www.intersection.cz/symposia/scenography-expanding/on-artists-authors/

The symposium is a part of the Scenography Expanding symposia within the Intersection project. More information about the project.

The Intersection Project is organized by the Prague Quadrennial (CZ) in co-operation with the New Theatre Institute of Latvia (LAT); the Escrita na Paisagem’s Festival de Performance e Artes da Terra (PT); the Victoria and Albert Museum (GB); the BELEF Festival (RS); the Kretakör Theatre Company (HU); National The- atre Prague (CZ); Ente Teatrale Italiano (IT); Kiasma Theatre, Kiasma Museum of Contemporary Art (FI); as well as the Institute of Design & Technology, Design Department, Zurich University of the Arts ZHdK (CH) and the Centro de História da Arte e Investigação Artística (PT).

Call for Stage Designers: Submit Works for U.S. National Exhibit for Prague 2011

SYRACUSE, N.Y., and PRAGUE: Out with the retrospective — and in with the cutting edge. That, in a nutshell, will be the curatorial approach for the U.S. national pavilion currently being organized by a group of leading U.S. theatre designers for the 12th Prague Quadrennial (PQ), which will run for 10 days in June 2011 in the Czech Republic.
The U.S. national pavilion, which will be exhibited at the Veletrzni Palace (the building of the Czech National Gallery) in Prague from June 16 to 26, 2011, will then tour the U.S. until December 2012.

Theatre companies, boundary-defying collectives and theatre designers across the U.S. are strongly urged to submit online their designs from up to three productions, visually and aurally striking works that embrace all elements of design, including scenic, costume, lighting and sound and video.

2007 USA Prague Quadrennial Exhibit

2007 USA Prague Quadrennial Exhibit

In a radical break from U.S. national exhibits of the past decades, including the encyclopedic survey approach used for recent editions of the PQ, the committee of five U.S. curators appointed by the Syracuse, N.Y.-based United States Institute for Theatre Technology (USITT) — which has funded and realized the project since 1983 — will rally around a specific theme for 2011: “Courage from the Edge.”

USITT’s new theme — an exploration of non-traditional approaches to theatre in the U.S — reflects PQ 2011’s request that national pavilions present a strong curatorial concept and that explore the field of scenography as a discipline in-between the visual and performing arts.

USITT’s official letter of invitation to U.S. designers reads: “We define ‘courage’ with the words bravery, will, daring, fortitude and also the ability to confront fear, pain, risk/danger, uncertainty or intimidation. ‘Courage’ may be artistic or sociopolitical or both. ‘Edge’ may refer to a leading edge, the pinnacle of artistic achievement, the edge of danger or the boundary that defines theatre as we know it.”

Specifically, the curators, headed by Susan Tsu, aim to represent the U.S. through works that forge definitive or life-altering paths, incorporate practices for social and artistic change, and empower designers in the collaboration process.

“We are particularly interested in younger collectives and entire productions,” says Tsu. She adds that PQ offers a unique perspective on the state of contemporary theatre design — it was a bridge of cooperation and mutual understanding during the Cold War. “I hope our nation’s artistic directors will come to PQ and see a range of approaches to plays that are non-Stanislavskian in derivation, nonlinear and visually challenging in ways we rarely see in the U.S.”

Working with Tsu are Christopher Akerlind, curator for lighting design; Chris Barreca, for scenic design; Linda Cho, for costume design; Don Tindall, for sound. William Bloodgood has been tapped to design the exposition itself, with support from the designer Eric Stone.

Considered productions must have opened between June 2006 and April 2010. Submissions will be selected by a jury at the USITT national convention in Kansas City which takes place March 29 to April 2, 2010. All entries must be received before March 15.

To submit works for consideration, U.S. designers are asked to visit http://2011exhibit.usitt.org/ or to click directly to this submissions page.

Organized by the Arts and Theatre Institute of Prague, PQ recently changed its official name to Prague Quadrennial of Performance Design and Space. The new name, it is believed, will break down the “often imaginary differences between the performance fields,” explains Sodja Zupanc Lotker, PQ artistic director.

A PQ 2007 winner from Slovakia, the scenographer Boris Kudlika, was appointed to be the new general commissioner. Visit http://www.pq.cz/. About 57 countries have officially signed up to exhibit in PQ 2011. See the list of countries and regions that have applied for the PQ.

UK National Exhibition 2011

Royal Welsh College of Music & Drama

Royal Welsh College of Music & Drama

The Society of British Theatre Designers have annonced details of their 2011 national exhibition.

UK designers are invited to participate in the SBTD National Exhibition of performance design which is taking place in Cardiff in January 2011.

Entry is open to any practitioner wishing to exhibit, but exhibitors must be (or become) members of either the SBTD, Association of Lighting Designers (ALD) or Society of Theatre Consultants (STC). Designs submitted for the exhibition must have been realised in performance in the past four years, 2007–2011.

The 2011 exhibition is to be held in a rebuilt Royal welsh College of Music & Drama.

Selected entries from the exhibition are taken to the Prague Quadrennial. The exhibition will also tour the UK and display at the V&A museum in London.

To enter your work to the exhibition you will need to join the Society of British Theatre Designers.

International Contemporary Scenography Days

The Scenographer

The Scenographer

IFSArts and The Scenographer magazine once again spearhead the International Contemporary Scenography Days.

Gearing up for SIB 2010 (Rimini, Italy 18-20 April)

The International Contemporary Scenography Days will once again be held at SIB, Rimini Fiera in Italy on 18-20 April.
Three days of talks and events embracing scenic arts.

Architects, engineers, technicians, theatre directors, set designers and lighting designers of world acclaim will be taking to the podium.

The architects and lighting designers
Among the numerous guest speakers invited to take part in our conference at SIB 2010 we are delighted to announce the American architectural practice Jon Jerde Partnership (www.jerde.com), a leading studio operating in the U.S., Europe and Asia, experts in the planning of public spaces destined for commercial and entertainment / leisure use. We welcome two European architects noted for their groundbreaking interactive architecture: from Italy, Luca Ruzza of Open Lab Company (www.openlabcompany.com), previously at Odin Teatret with Eugenio Barba, and from Holland, Rob Delfgaauw of NuFormer Digital Media(http://www.nuformer.nl). Also taking part are Bjarke Ingels Group – BIG (www.big.dk), a Danish practice comprising 80 architects, and from the U.K Theatre Project Consultants (www.theatreprojects.com) who have worked on projects for over 1200 performance spaces worldwide. This year we can also count on the presence of the American lighting designers the calibre of A. J. Weissbard (www.ajweissbard.com), and Anne Militello(www.annemilitello.com/).

Theatre
This year, in addition to renowned stage designers sharing their experiences, we have invited stage managers from the Teatro dell’Opera in Rome, the Teatro Regio in Turin, the Fondazione Pergolesi Spontini in Jesi, the Fondazione Teatro La Fenice in Venice, the Fondazione Teatro Lirico Petruzzelli in Bari, and the Théâtre du Châtelet in Paris.

The speakers
Henning Brockhaus, Maurizio Balò, Darko Petrovic, Ralph Koltai, Lucia Goj ( Théâtre du Châtelet), Giorgio Marini, Pamela Howard, Jean-Guy Lecat, Kate Burnett, Peter Farley, Izuna Tanaka, Denise Lupi (Teatro dell’Opera di Roma), Massimo Checchetto (Teatro La Fenice Venezia), Tommaso Lagattolla (Teatro Lirico Petruzzelli di Bari), Saverio Santoliquido (Teatro Regio Torino), Benito Leonori (Fondazione Pergolesi Spontini)

Film
Our event this year focuses on European film production design. We have invited a number of set designers who have worked with directors such as Almodovar, Besson, Tornatore, Wenders. Production designers fromSpain, France, Austria, Italy, Bulgaria and the UK will form a panel discussion on the creation of a European association of film design guilds.

The speakers
Anxton Gomez (Pedro Almodovar), Hugues Tissandier (Luc Besson), Stephen Scott (Guillermo del Toro), Marco Dentici (Marco Bellocchio), Maurizio Sabatini (Giuseppe Tornatore), Thierry Flamand (Wim Wenders and Nicole Garcia), Anastas Yanakyev (Stephan Komandarev). The recent film designed by Yanakyev (“The World Is Big and Salvation Lurks Around the Corner” by the Bulgarian director Stephan Komandarev) has been selected for nomination for Best Foreign Film at the 82nd Academy Awards® in 2010.


Industry Space

In addition to the numerous topics in discussion during the International Contemporary Scenography Days, an Industry space will be available exclusively for exhibitors at SIB that will allow them to interact with the public and the guest speakers at the conference. The space will host a select group of companies that will focus on a range of issues linked to advanced lighting technologies, mechanical engineering solutions for performance spaces and software programmes designed for theatre. These presentations, reserved for a specialist audience of professionals, graduates, educators and journalists, will take place within the conference area situated inHall B7 (Light & Stage Technology).

Universities and Academies
As in the previous edition, for universities, academies of Fine Art and film and theatre schools, with their respective faculties of architecture, stage and set design, SIB is offering a trade stand at no cost situated next to the area reserved for the conferences with entertainment industry professionals and the evening shows.

We invite teaching staff and students to take part in this exciting event.
All conferences will be conducted either in English or Italian with respective simultaneous translation facilities.

If you wish to take part, please write to request accreditation and to book a free trade stand.
We will then provide you with additional information write to r.neri@riminifiera.it